Books/Recordings/Scores Received at PNM

(Received January–March 2006)

Books
Dalia Cohen and Ruth Katz, Palestinian Arab Music: A Maqam Tradition in Practice (Chicago, 2006)
David Borgo, Sync or Swarm: Musical Improvisation in a Complex Age (Continuum, 2005)
Kyle Gann, Music Downtown: Writings from the Village Voice (California, 2006)
Martha Elliott, Singing in Style: A Guide to Vocal Performance Practices (Yale, 2006)
Justin London, Hearing in Time: Psychological Aspects of Musical Meter (Oxford, 2004)
Luca Conti, Suoni di una terra incognita: Il microtonalismo in Nord America (1900-1940) (Libreria Musicale Italiana, 2005)
Theodore Levin, Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond (Indiana, 2006)
Trevor Herbert, The Trombone (Yale, 2006)
Nicole de Mourgues and Pierre Albert Castanet, Les Métiers de la culture (Millénaire III, 2006)
Pierre Michel and Gionmario Borio, eds., Musiques vocales en Italie depuis 1945 (Millénaire III, 2006)
Peter Chang, Chou Wen-Chung: The Life and Work of a Contemporary Chinese-born American Composer (Scarecrow, 2006)
Karlton E. Hester, Bigotry and the Afrocentric "Jazz" Evolution, 3d ed. (Global Academic, 2006)

CDs
Frank Rothkamm, FB01 (FluxRecords, 2006)
Vernon Neilly, G-Fire II (Boosweet, 2004)

(Received April–June 2006)

Books
Brandon LaBelle, Background Noise: A History of Sound Art (Continuum, 2006)
Amy C. Beal, New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification (California, 2006)
Sheila Whiteley and Jennifer Rycenga, eds., Queering the Popular Pitch (Routledge, 2006)
Wendy Fonarow, Empire of Dirt: The Aesthetics and Rituals of British Indie Music (Wesleyan, 2006)
Felix Meyer and Heidy Zimmermann, eds., Edgard Varèse: Composer, Sound Sculptor, Visionary (Boydell, 2006)
Richard Middleton, Voicing the Popular: On the Subjects of Popular Music (Taylor & Francis, 2006)
Nathan Hesselink, P'ungmul: South Korean Drumming and Dance (Chicago, 2006)
Rupa Huq, Beyond Subculture: Pop, Youth and Identity in a Postcolonial World (Taylor & Francis, 2006)
Nicolas Collins, Handmade Electronic Music: The Art of Hardware Hacking (Taylor & Francis, 2006)

(Received July–September 2006)

Books
Steven Schick, The Percussionist's Art: Same Bed, Different Dreams (Rochester, 2006)
Irène Deliège and Geraint A. Wiggins, Musical Creativity: Multidisciplinary Research in Theory and Practice (Psychology, 2006)
Joshua Fineberg, Classical Music, Why Bother?: Hearing the World of Contemporary Culture through a Composer's Ears (Routledge, 2006)
James P. Leary, Polkabilly: How the Goose Island Ramblers Redefined American Folk Music (Oxford, 2006)
Gareth Loy, Musimathics: The Mathematical Foundations of Music, Volume 1 (MIT, 2006)

CDs
Zachary Oberzan, Athletes of Romance (How land? Is land?, 2006)
Frank Rothkamm, FB02: Astronaut of Inner Space (Flux, 2006)

(Received October–December 2006)

Books
Lloyd Peterson, Music and the Creative Spirit: Innovators in Jazz, Improvisation, and the Avant Garde (Studies in Jazz 52) (Scarecrow, 2006)
Dusan Bogdanovic, Ex Ovo: A Guide for Perplexed Composers and Improvisers (Doberman-Yppan, 2006)

CDs
Lorna Griffitt and Haroutune Bedelian, A Century of American Music [music for violin & piano by Ives, Beach, Hovhaness, Hale Smith, and Bernard Gilmore]

(Received January–March 2007)

Books
Joan Tower, For Daniel for violin, violoncello, and piano (Associated Music Publishers, 2006)
Bright Sheng, Tibetan Dance for clarinet in B-flat, violin, and piano (G. Schirmer, 2006)
Karen R. Little and Julia Graepel, Grawemeyer Award for Music Composition: The First Twenty Years (Scarecrow, 2007)
David Temperley, Music and Probability (MIT, 2007)
Robin Maconie, The Way of Music: Aural Training for the Internet Generation (Scarecrow, 2007)

CDs
Zeno Gabaglio,Uno (Pulver und Asche, 2006)

(Received April–June 2007)

Books
D.J. Hoek, Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 (Scarecrow, 2007)
W. Stephen Smith, The Naked Voice: A Wholistic Approach to Singing (Oxford, 2007)
Julian Rushton, The New Grove Guide to Mozart and His Operas (Oxford, 2007)
Roger Parker, The New Grove Guide to Verdi and His Operas (Oxford, 2007)
Diane Wittry, Beyond the Baton: What Every Conductor Needs to Know (Oxford, 2007)

CDs
Gabriela Lena Frank, Leyendas: An Andean Walkabout (New Voice Singles, 2006)

(Received July–September 2007)

Books
Gareth Loy, Musimathics: The Mathematical Foundations of Music, Volume 2 (MIT, 2007)
Fabian Holt, Genre in Popular Music (Chicago, 2007)
Paul Hegarty, Noise/Music: A History (Continuum, 2007)
Leigh Landy, Understanding the Art of Sound Organization (MIT, 2007)

CDs
Rothkamm, FB03: E Pluribus Unum (Flux, 2007)

(Received October–November 2007)

Books

Philip Perry, Journey to the Heart of Music (Rosebay, 2007)
Alain Galliari, Anton von Webern (Fayard, 2007)
Don Ihde, Listening and Voice: Phenomenologies of Sound, 2^nd edition (SUNY Press, 2007)
Witold Lutosławski (Ed./Trans. Zbigniew Skowron), Lutosławski on Music (Scarecrow, 2007)

(Received December–January 2007–8)

Books

Gregor Herzfeld, Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik. (Franz Steiner Verlag)
Istvan Anhalt & George Rochberg, Eagle Minds: Selected Correspondance 1961–2005, edited by Alan M. Gillmor. (Wilfrid Laurier University Press)

(Received February–March 2008)

Books
Jack Douthett, Martha Hyde, and Charles Smith (editors) Music Theory and Mathematics: Chords, Collections and Transformations. (University of Rochester Press, 2008)
Luca Conti, Ultrachromatische sensazioni: Il microtonalismo in Europa (1840–1940). (Libreria Musicale Italiana).

CDs
Frank Rothcamm, Just 3 Organs. (Flux Records).

(Received April–May 2008)

Books
Frank Hentschel. Die “Wittener Tage für neue Kammermusik”: Über Geschichte und Historiografie aktueller Musik. (Steiner Verlag)